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Second Annual PUMA.Safe Sustainable Design Lecture - Tues 18 Oct, 7.30pm

Annual PUMA.Safe Sustainable Design Lecture with architect Alejandro Aravena at the Design Museum on Tuesday 18 October, 7.30pm.

Alejandro Araveno is the Creative Director of Elemental.S.A. winners of the Designs of the Year Architecture award in 2010.

BOOKING:

Tickets £15 / £7.50 members, includes entry to all current exhibitions: Kenneth Grange - Making Britain Modern, This is Design and Designers in Residence.

T 0207 940 8783

E tickets@designmuseum.org

W Ticketweb (Booking fee applies)

DAVID ROWAN: My favourite design of all time

David Rowan, Brit Insurance Design Awards juror 2010, told us about his favourite design of all time…
“The Olympia SG1 manual typewriter. A brilliantly functional mass-produced machine whose heavy steel box belies the mechanical magic that goes on underneath, and all to empower the user as a more authoritative and confident communicator. When I first discovered my mother’s Olympia at age nine, I was transfixed: suddenly I could publish my own one-off magazines, in black and even red lettering. Using an electric or phone keyboard can never replicate that physical satisfaction of typing out a sentence.”

Rise and fall of a cult classic

1903, Berlin: Dr. Friedrich von Hefner-Alteneck from European General Electric (AEG) developed the first prototype of the Olympia typewriter, called “Mignon”. Unfortunately it was too expensive for many potential custumer of that time.

1912: a new improved Mignon “AA” was created. The commercial success of Olympia (model 3) arrived under than 9 years later and in 1923 AEG Company inaugurated the first shop in Erfurt, Germany.

1930: Olympia became a brand.

Post-second world war: the East German government renamed the Olympia factory “Optima”, but in 1948 in Wilhelmshaven (West Germany) several employees continued to produce Olympia typewritersand in 1949 the International Court of Justice at The Hague settled the dispute between East and West Germany over rights to the Olympia brand name.

60s, the Olympia typewriter’s boom: “about half of the typewriters in use in Germany were Olympia portables. [...] from the 1950s through the 1970s–Olympia portable typewriters were known for craftsmanship, eye-catching design, and continuous innovation. [...] features such as individually-spring-loaded keys provided extra comfort and cushioning, bringing in customers despite the high price point of Olympias”. (vintagetypewriterjewelry.com). Olympia enlarged its market in many different countries and became a very popular object, featuring also in Alfred Hitchcock’s movie “Marnie” starring Tippi Hedren as a disturbed secretary. In that film the actress used the SG-3 which remplaced the SG-1in the 1964.

Tippi Hedren with Alfred Hitchcock and the Olympia typewriter SG-3

The computer era: the decline of Olympia started in the 70s until the closure of the company in 1992. Nowadays Olympia is a cult classic that reminds us how fast innovation and technology can change our objects and our relationship with them. Computers are faster and incomparably more technologic, perfect for the needs of the contemporary consumer, but using an old typewriter is a different experience. The writer Paul Auster dedicated a book to his story with his Olympia typewriter (Auster P., The Story of My Typewriter, 2002). Auster spoke about his typwriter during an interview that he did for The Paris Review; this is an extract from that conversation:

“Because the typewriter forces me to start all over again once I’m finished. With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can’t get a clean manuscript unless you start again from scratch. It’s an incredibly tedious process. You’ve finished your book, and now you have to spend several weeks engaged in the purely mechanical job of transcribing what you’ve already written. It’s bad for your neck, bad for your back, and even if you can type twenty or thirty pages a day, the finished pages pile up with excruciating slowness. That’s the moment when I always wish I’d switched to a computer, and yet every time I push myself through this final stage of a book, I wind up discovering how essential it is. Typing allows me to experience the book in a new way, to plunge into the flow of the narrative and feel how it functions as a whole. I call it “reading with my fingers,” and it’s amazing how many errors your fingers will find that your eyes never noticed. Repetitions, awkward constructions, choppy rhythms. It never fails. I think I’m finished with the book and then I begin to type it up and I realize there’s more work to be done.”

Additional readings and virtual museums dedicated to old typewriters:

http://typewritersite.blogspot.com

http://site.xavier.edu/polt/typewriters/

SINGGIH SUSILO KARTONO: My favourite design of all time

Singgih Susilo Kartono, Brit Insurance Product Award winner 2009, told us about his favourite design of all time…

“My choice: VW Beetle (the old one, especially Beetle 1970-1974). I love something basic, simple, functional and yet beautiful. I find it on Old VW Beetle, a car with timeless design cause of its honest beauty.”

In the 1950s Julian Koenig, from Doyle Dane Bernbach, created the advertisement campaign entitled Think Small for the Volkswagen Beetle which became one of the most popular and successful advertisement campaigns of the twentieth century. In 1967 the Volkswagen company also distributed to its dealers a promotional book titled Think Small.

Singgih Susilo Kartono

Doyle Dane Bernbach Agency

Further readings: Think small: The story of those Volkswagen ads by Rowsome Frank, 1970, S. Green Press.

Images: Volkswagen AG; Think Smart original advertisement, Volkswagen AG.

WAYNE HEMINGWAY: My favourite design of all time

Image: Wayne’s record collection, see Wayne’s favourite cover here

WAYNE HEMINGWAY, Brit Insurance Design Awards presenter 2008, told us about his favourite design of all time…

“When asked what is my favourite design of all time, I always think about what purchase has given me most pleasure through my life. Was is it my bike that gave me my first taste of being “free range”, the sandwich toaster that my mum presented to me when I left home in Blackburn and which saw me through my teenage and early twenties years or the terraced house that Gerardine and I renovated and learnt so much about design from.

There is one thing that has been a constant source of pleasure and inspiration. I bought my first vinyl after seeing David Bowie on his Aladdin Sane tour in 1973, then washed dishes to build my collection from clubs like Wigan Casino and Blackpool Mecca, and then when punk came along learned so much from the DIY ethic and the cut and paste art of the likes of Linder. Now I have over 7000 vinyl records and there is never a week where I don’t search out more, play them and look at the sleeves and the labels. Technology may have brought us a cheaper, easier and more sustainable way of consuming recorded music, but a vinyl record in an art worked sleeve will always be collected by the design and culturally aware”.

Image: Aladdin Sane album cover, photographed by Brian Duffy, 1973. The glamorous and revolutionary cover was printed in seven colours, thanks to a process not possible in the UK at that time, so Duffy’s work was carried out in Switzerland instead. This cover is one of the first experimental projects of Brian Duffy and it became immediately one of the symbols of the ’70s Glam Rock era.

Vintage at Southbank Centre

As an authentic fan of vintage Wayne Hemingway with Gerardine Hemingway and Hemingway Design team, has curated the Vintage at Southbank Centre festival. For this special occasion the six levels of the iconic Royal Festival Hall have been transformed in a multi-venue playground with eight vintage nightclubs.

Vintage at Southbank will be a three-day party, a big dressing-up box and a collector’s dream, celebrating the 1920s to the 1980s. This is an exclusive experience where ticket holders will enjoy over 13 hours of music, fashion, film, art, design, and dance each day from Friday 29 July to Sunday 31 July. Don’t miss it.  Buy your ticket here

AMOS MARCHANT: My favourite design of all time

Amos Marchant, Brit Insurance Design Awards exhibition designer 2010, told us about his favourite design of all time…

“Favourite piece of design (of all time) the paperback book. Cheap, lightweight and mobile, the paperback book is arguably responsible for the democratisation of knowledge and entertainment, it has served us well for 150 years.

In 2011 with the arrival of the Kindle and iPad we marvel at the sophistication of this new technology, it is surprising to me how good they are. However, the warmth, softness and easy accessibility of a paperback book demonstrate qualities our electronic equivalents have yet to fully master.”

Amos Marchant

Image: The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne.

MORAG MYERSCOUGH: My favourite design of all time

MORAG MYERSCOUGH, Brit Insurance Design Awards juror 2010, told us about her favourite design of all time…

“I apologise if this is a little predictable but I would like to put forward my Eames soft pad chair (image attached, sorry Lemmy wanted to be in the pic), I used to rent a space in Park Street in Borough and the guys who worked their had these chairs as their office chair and I always loved sitting in them. A couple of years later they had to sell up for one reason or another and were getting rid of the furniture and so I asked if the brown worn chair was for sale and it was at a good price so I snapped it up ( at that time I just liked it I don’t think I was very aware of Eames). I have to admit this was a very long time ago and I have sat on the same chair in my studio for nearly 20 years and I do not suffer from backache and I look forward to sitting on it everyday, that must add up to a pretty good design! I hope this is ok and not too late and maybe too long.”

Eames Office

Image: Eames soft pad chair by Morag Myerscough

NAOMI CLEAVER: My favourite design of all time

NAOMI CLEAVER, Brit Insurance Design Awards presenter 2009, told us about her favourite design of all time…

“Bauhaus glass tea service by Wilhelm Wagenfeld for Schott & Gen. Jenaer Glaswerke, Circa 1932-1934. I love it because drinking tea is such an everyday thing to do but with this service you can rest assured tea will not drip from the spout but actually arrive in the cup; the diffuser is detachable so you can remove leaves once they are brewed, so no stewed tea; the design perfectly expresses both ethereal beauty and industrial technology; it will never age; will always be useful and has no built in obsolescence; and it needs no maintenance, other than washing in warm soapy water.”

Find more about Wilhelm Wagenfeld

Find more about Bauhaus

Image: Christie’s Images Ltd. 2011

Golden Torch for the London 2012 Olympics by Barber Osgerby

On Wednesday 8 June 2011 the London Organising Committee of the Olympic and Paralympic Games (LOCOG) unvailed the prototype of the London 2012 Olympic Torch created by Brit Insurance Designs of the Year 2011 Product Nominee Barber Osgerby.

The Torch’s triangular form conceived by East London based designers Edward Barber and Jay Osgerby is made from a golden aluminium alloy and perforated by 8,000 circles, representing the 8,000 torchbearers that will be celebrated during the London 2012 Olympic Torch Relay.

BarberOsgerby.com

BarberOsgerby on the Design Museum Library

JAMES DYSON: My favourite design of all time


JAMES DYSON of Dyson and Brit Insurance Designs Awards transport nominee 2011 told us about his favourite design of all time…

”Designed by west of England designer, Alex Moulton, this bike is extraordinarily engineered. It has very small wheels, but is able to tear along at the speed of a racing bike. Small wheels grip the road surface, and good suspension gives the robust frame comfort.”

Alex Moulton, 1960

Alex Moulton outside the Moulton Factory

Moulton & London fashion, 1960s

Coventry CC, 1963

Richard Grigsby, 1990 Fowey Triathlon

Colin Martin’s Moulton on his World Tour, 1970

Find more about Moulton Bicycle Company

More favourite designs of all time

Read the whole post »

Last chance to design your own Wallpaper* Custom Cover

Nominated in the interactive category for this year’s Brit Insurance Designs of the Year, Wallpaper* are again giving you the chance to go online, get creative and concoct a unique cover that will be delivered to your door.

Following on from the success of the first design-your-own-cover application, you can access a bigger and better box of tricks to play with, plus a chance to write your own cover lines and animate the cover design.

Visit Wallpaper.com/custom-covers and sign up. There is a brief video tutorial to help you get started.

Last orders on the Custom Covers project will be called at midday on Wednesday 1 June so don’t delay!

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